“Despite offering plenty of fun moments and tons of silliness, the sequel fails to truly surprise and explore the thematic riddle of the structural role perversion plays in human subjectivity in a truly meaningful way.”
“Kan Eguchi succeeds in composing an action-narrative that, by hitting all the necessary beats, ensures the spectator’s enjoyment.”
The very fact that the narrative is able to sensibly evoke, as a result of its various parts, the moving power of literature […] makes Hibiki truly great.
“A wonderful but slightly disturbing confrontation with violent enjoyment.”
“A successful debut for Nanako Hirose”