Awake (2020) review

Atsuhiro Yamada ensures, by delivering an effective visual and musical frame, that his poignant psychological portrait result into a thrilling finale and, ultimately, a heartwarming conclusion.

After the Quake (2025) review

Inoue delivers an engaging cerebral experience that traces out the effect of the great Hanshin Earthquake on subjectivity as well as the state of the father within a capitalistic and consumerist society.

Unreachable (2025) review

The melodrama does not merely fall flat, but also leaves a sour aftertaste in the spectator’s mouth.

Otonari (2009) review

Naoto Kumazawa and screenwriter Yukiko Manabe succeed in giving the fundamental dynamic that structures the romance film a fresh coat of paint.

Party 7 (2000) review

Ishii elevates the staging of the truth of the phallus with many moments of refined interactional absurdity and a finale that, in an inimitable fashion, exposes lack and castration.

Confetti (2023) review

A pleasant film that underlines, in an elegant and touching manner, the necessity for the subject to find an Other to commit himself to his dream, to his desire.