‘The narrative dares to confront the spectator with a question that is nothing other than a dilemma. ‘
キャストと監督と話し合い: 天然☆生活 [日本語]
“Yuriko Suzukiは私の妻なので、意見の相違があっても離婚はせずに、納得できるまで粘ります.”
A Crimson Star (2018) review
“Without a doubt one of the most finest examples, if not the best, of subject-driven narratives to come out this year.”
[Short Movie Time] Rencontre (2018)
As an experiment, Rencontre is a success, showing that, instead of stalling, Takemoto is still growing.
Passage of Life (2017) review
“Maybe Japan can find their Brothers Dardenne in Akio Fujimoto.”
[Short Movie Time] Wakare-uta (2018)
“Atsuko reaffirms, with this atmospheric and touching narrative, her artistic talent.”
Bloody Spear At Mount Fuji (1955) Review
“A forgotten masterpiece by Tomu Uchida.”
Recall (2018) review [Camera Japan Festival]
“A fun, emotional and engaging narrative, but nothing more.”
Call Boy (2018) review [Camera Japan Festival]
“This narrative is a confrontation that every spectator needs.”
俳優の影響: Yohta Kawase [日本語]
“Cronenberg作品は常に人間という存在の不可思議さを問いかけてくるので好きです。”
