“This might be the purest idol-film Obayashi made and the clearest example of how Kadokawa wanted to exploit the audio-visual medium.”
Tag: Nobuhiko Obayashi
School In The Crosshairs (1981) review
A heart-warming sci-fi flick that dazzles the spectator with its expressive and colourful effects.
His Motorbike, Her Island (1986) review
Obayashi ensures that this narrative, after so many years, still succeeds in captivating and mesmerize the spectator.
Fantasia Film Festival: 8 Japanese film recommendations
“While there are many Japanese films to discover at the festival – even for us, we can already provide eight recommendations for this year’s festival.”
Japan Cuts 2020: Our recommendations.
“We introduce our recommendations for this year’s Japan Cuts, including Labyrinth of Cinema (2019), Murders of Oiso (2019), Extro (2020), Roar (2019), and Shell and Joint (2019).”
Extro (2020) [Nippon Connection online]
“A loving ode to filmmaking that underscores that without extras, there would be no stars to shine.”
Nippon Connection Online Film Fest: our recommendations.
“With the online festival already in full swing, we gladly introduce our readers to nine movies we recommend.”
Atom-bombs and world peace: Obayashi Nobuhiko (1938-2020).
“He had but one cause: to achieve world peace with the power of the cinematographical narrative.”
Labyrinth of Cinema (2019) review [IFFR 2020]
“Not only the most important movie made by Obayashi but also the most important Japanese movie of the last decade.”
Recommended movies (Fantasia Fest 2018)
Introduction A new Fantasia fest is upon is – one of the main events of the summer. By way of introduction, we want to share four movies Japanese that, if you’re able to go to the festival, should be on your to-watch list. Of course there are also other high-profile Japanese movies to see:https://fantasiafestival.com/en/program/movies?countryId=51761. And,…
Hanagatami (2017) Review
“As life is evoked as fleeting, moments of happiness quickly passing by, why invest in war, as peace is so much more beautiful and rewarding. This, and nothing else, is the powerful moving message of Hanagatami.”
House (1977) Review
“One of the most creative and figurative ghost narratives ever made, that also turns out to be one of the most pure and disturbing confrontations with the uncanny (…). A classic that will long linger in one’s mind.”
psycho-cinematography 