Ribbon (2022) review

Non, in short, proves with her first feature film that she has a future as screenwriter and director.

Mio On the Shore (2019) review

A great and visually pleasing narrative about the socially embedded nature of the process of coming-into-being-as-subject.

Asako I & II (2018) review

“(The narrative) breaths much needed fresh air into the rather stale genre of Japanese romance narrative”