Inoue delivers an engaging cerebral experience that traces out the effect of the great Hanshin Earthquake on subjectivity as well as the state of the father within a capitalistic and consumerist society.
Tag: Daichi Watanabe
Ribbon (2022) review
Non, in short, proves with her first feature film that she has a future as screenwriter and director.
What she Likes (2021) review [22nd Nippon Connection]
“Kusano succeeds in delivering a quite atypical romance narrative.”
Mio On the Shore (2019) review
A great and visually pleasing narrative about the socially embedded nature of the process of coming-into-being-as-subject.
Blue Hour (2019) review [Japannual 2019]
“With her impressive and touching debut, Yuko Hakota reveals herself as one very promising director. “
Asako I & II (2018) review
“(The narrative) breaths much needed fresh air into the rather stale genre of Japanese romance narrative”