A Girl On The Shore (2021) review

“Ueda’s engaging film is all about two subjects trying to escape their phantasmatic identification with the notion of trash.”

Shaman’s Daughter (2022) review [JFFH 2022]

A genre mish-mash – a cocktail of light-hearted comedy, family drama, bloody thriller, and ghostly romance – that is not only pleasant but offers the spectator a rich emotional fabric to savour.

One Day, A woman (2022) review [JFFH 2022]

“Mihiro Kaneko’s incredibly rich performance does not only engages the spectator from start to finish, but allows Yuko’s subjective turmoil, her flight from the societal Other, and her search for an Other that, by lying beyond, can offer salvation to attain its compelling genuineness.”

Popran (2022) review [22nd Nippon Connection]

“A great narrative that questions in a light-hearted way the relation between the male subject and his member as well as the role the real member plays within the fantasmatic world of men.”

A Madder Red (2021) review [Nippon Connection 2022]

Machiko Ono and Yuki Katayama breathe extra-ordinary life and realism into the pain, the hopes, the white lies, the tears, the smiles, and the anger of contemporary female subjects subjected to a phallically-structured societal system. Highly recommended.

Gonza the Spearman (1986) review

“A fabulous narrative that offers a satisfying exploration of the tragedy of phallic ambition and the destructive potential of desire.”

Short Movie Time: The Fish With One Sleeve (2021) review

“Tokaibayashi Tsuyoshi delivers an important narrative that reveals how a societal system, which struggles with the newly-posed riddle of gender, problematizes the integration of the transgender subject in its fabric.”