Egoist (2022) review [Nippon Connection 2023]

Matsunaga’s heartfelt and heart-breaking narrative goes beyond the gay-dynamic to show that the lack that injures the subject complicates and radically determines the way he approaches the object of his ‘love’.

GO (2001) review

An exquisite structured exploration of how fictions of nationality fracture and shape they societal field as well as the subjects subject to it and the relational dynamics they establish.

Short Movie Time: Detouring Blue (2023) (OAFF 2023)

A highly recommended short that touchingly shows that what dooms the subject to the de-subjectifying effect of the societal Other or to the birth of a subjective deadlock is a situation that chains his/her desire.

Shiori’s Naughty Dreams (2019)

Amane’s narrative is not simply a great ero-horror, but an enthralling experience that confronts the spectator with the ultimately finality of his own desire: his own demise.

Birds Without Names (2017) review

“Shiraishi is not only able to confront the spectator with the perverse side-effects of a patriarchal phallic societal Other – i.e. male opportunism, but also reveals, in an extremely moving finale, that even within such problematic Other love remains a possibility.”

Wandering (2022) review

With his poetic sensitivity, Sang-il Lee delivers a rich tapestry of genuine emotionality and a powerful affirmation of the fact that the affirmation of the subject lies beyond the field of understanding.

Love Nonetheless (2022) review

A modern classic about the beauty of being in a state of desiring and the impact a phallic injury can have on the ability of a subject to fall in love.

Lesson In Murder (2022) review

In Shiraishi’s talented hands the narrative transforms into a visual elegant and compelling examination of the desire that drives us all.