Miike’s horror-narrative provides all the thrills, and tropes for that matter, fans of J-horror have come to expect from the genre.
“Takashi Miike’s latest beautifully underlines that the only kind of violence worthy of humanity is a violence born out of love.”
“Read our report of the Q&A with Takashi Miike and Masataka Kubota we attended and our introduction of the CinemAsia Film Festival. “
“A clear case of a film translation gone wrong. People are, in fact, far better off playing the game.”
“A fabulous confrontation with the inherent dimension of the self-destructive pleasure, evoking the effects capitalism have on society as a whole along the way.”