Saimon and Tada Takashi (2018) Review [Japannual 2019]

“While Oda show promise as a director, his debut-narrative reveals that he has yet to find his own distinctive voice.”

Wet Woman in The wind (2016) Review

“The narrative shows (…) that only women can go beyond (…) manly silliness and that, in a battle of eroticism, only women can be the victor.”