A modern classic, one of the best, if not the best, cinematic experiences of the ‘00.
Tag: Shugo Oshinari
Mio On the Shore (2019) review
A great and visually pleasing narrative about the socially embedded nature of the process of coming-into-being-as-subject.
Videophobia (2019) review [OAFF 2020]
“A return to form for Daisuke Miyazaki.”
Stare (2019) review [Fantasia Film Festival]
“Otsuichi hits all the right notes of the J-horror formula, succeeding in turning his narrative into a truly creepy and unsettling horror narrative.”
Dark Side of The Light (2016) Review
“The very tangible framing of (…) [the] disturbing irrationality [of abuse] and the denial of justice this irrationality introduces is Sakamaki’s greatest triumph.”