The Gesuidouz (2024) review [Japannual 2025]

While the concatenation of deadpan comical moments succeeds in charming audiences, Ugana’s narrative falls flat in the last half-hour.

Shaman’s Daughter (2022) review [JFFH 2022]

A genre mish-mash – a cocktail of light-hearted comedy, family drama, bloody thriller, and ghostly romance – that is not only pleasant but offers the spectator a rich emotional fabric to savour.