Cloud (2024) review

Kurosawa delivers a biting critique of way capitalism and consumerism has transformed our subjectivity and the way we interact with others.

Guard from Underground (1992)

Kurosawa’s early slasher is a successful stylistic experiment that anyone who calls himself a fan of Japanese horror should see.

Pulse (2001) review

“An extra-ordinary apocalyptic horror narrative that explores, in a refined way, the destructive impact of consumption – the pulsating attraction of injecting solitary enjoyment by engaging with gadgets and screens – on our subjective position and the fabric of bonds that surrounds us.”

Journey To The Shore (2015) review

“An elegant and touching exploration of arrested mourning, unresolved subjective regrets, and the impact of unfinished business on the deceived or the living subject.”

Wife of A Spy (2020) review

A tremendous achievement [that succeeds in calling] forth orth certain (indigestible) truths concerning the Japanese imperialistic Other.

Cure (1997) Review

“As we wander through the desolate narratives spaces, the shocking and scandalous truth Cure stages pulsates harder and harder: in every one of us resides a drive to destroy and desire to enact violence.”