A splendid Godzilla narrative that delivers thrilling kaiju action while elegantly exploring the impact of the rise of capitalism and consumerism on Japanese society and the traumatic truth it does not want to accept.
Terrifying Girls’ High School: Delinquent Convulsion Group (1973) review
“A film that does not give the male spectator the chance to satisfy his gaze but shockingly confronts him with violence that is born from the corrupted phallic game and supported by intoxicating phallic fantasies.”
The Nighthawk’s first Love (2022) review [Female Gaze – Japan Society]
An understated and moving exploration of the impact the demand for the other’s love has on the subject’s ‘relational’ signifiers and acts and of the importance of one’s first love for one’s coming-into-being as subject.
Wedding High (2022) [Female Gaze – Japan Society]
Akiku Ohku might not only have delivered her best narrative yet, but one of the best comedy narratives of this year.
Tamano Visual Poetry: Nagisa’s Bicycle (2022) review [Camera Japan Festival]
Despite delivering three engaging and visually beautiful narratives, the short nature of overall narrative undercuts the impact the movie could have had.
Goodbye Cruel World (2022) review [Japannual 2022]
“A stylish exploration of the cruel call for destruction that structures the perverse criminal field.”
In The Distance (2022) review [Japannual 2022]
“A very pleasant slice-of-life narrative that elegantly shows that bonds between subjects are that much more genuine if they are grounded in the acceptance of the other’s radical difference.”
Dreaming of The Meridian Arc (2022) review [The Female Gaze – Japan Society]
A pleasant narrative due to the chemistry between Kenichi Matsuyama and Kiichi Nakai and the satisfying delivery of a visual and narrative climax.
Godzilla Raids Again (1955) review [The Godzilla Project]
This sequel lacks the impact of Honda’s classic, but Oda’s narrative does deliver enough action and destruction to satisfy any Kaiju fan.
Noise (2022) review
A highly satisfying experience that delivers suspense as well as good dose of touching emotionality.
Two On The Edge (2022) review [Japannual 2022]
“A touching experience that highlights that the desire to be loved, for better or worse, is the ulitmate guide the neurotic subject within the societal field.”
The Last Ten Years (2022) review
“A touching and satisfying tear-jerking experience.”
Ribbon (2022) review
Non, in short, proves with her first feature film that she has a future as screenwriter and director.
The Midnight Maiden War (2022) review
“A visually exciting experience that shows that the only revolutionary thing that can give life its worth is desire that remains desire.”
Rageaholic (2022) review
“A great dystopian narrative that clearly gives expression the director’s fear of certain right-wing tendencies that linger within Japanese society.”
psycho-cinematography 