“A peaceful and serene exploration of female subjectivity.”
My Father, The bride (2019) review [Japannual 2019]
“A truly pleasant cinematographical narrative that succeeds, notwithstanding its lightheartedness, in formulating a truly relevant message.”
Saimon and Tada Takashi (2018) Review [Japannual 2019]
“While Oda show promise as a director, his debut-narrative reveals that he has yet to find his own distinctive voice.”
[Short Movie Time] A Japanese Boy Who Draws (2019) [Japannual 2019]
“A highly original narrative that communicates its powerful statement on art through its modulation of its eclectic art-style.”
Jesus (2019) review [Japan Camera Festival]
“A promising debut of Hiroshi Okuyama”.
Japannual: 6 must-see movies.
As Japannual is just around the corner, we want to introduce our recommendations for Vienna’s most amazing film-festival.
Jam (2018) review [Camera Japan Festival]
“Sabu’s splendidly structured genre-mix will surely please his fans as well as charm those who are new to his oeuvre.”
The Japanese subject and the unconscious (part 1).
Japanese language does not resemble Joyce’s language in Finnigan’s wake.
Like A Dragon (2007) review
“An idea that seemed great on paper, but turned out to be a bad one once experienced on the silver screen. In truth, people are far better off playing the game.”
Tokyo Ghoul S (2019) Review
“The narrative’s beginning and finale do not fail to deliver the right ingredients to turn this narrative into a satisfying visual experience.”
