True Mothers (2020) [TIFF 2020]

“A beautiful and emotionally rich meditation on the complex notion of motherhood, underlining, in a touching way, that the first essential step in becoming mother is the subjective assumption of the signifier mother.”

Lovers Are Wet (1973) review

“Not only a narrative about the destructiveness of male sexual opportunism, but also (a narrative) [that explores] the irreducible opaqueness of the female subject as such.”

The Gun (2018) review

A great narrative from a thematical perspective – exploring, with clarity, the impact of a phallic object on male subjective functioning, that is stylistically unable to turn Take’s thematical exploration into a truly powerful experience.

Along The Sea (2021) review

An amazing and highly relevant narrative that succeeds in exposing the dark exploitative and de-subjectifying tendencies of Japanese society.

Shiver (2021) review

“This audiovisual experience introduces the art of taiko music in a fresh and innovative way – highly intimate and, strange as it may sound, very tactile.”

Aristocrats (2021) review [IFFR 2021]

Beautifully evokes how women become victim of the traditional patriarchal elite and how subjective happiness is not found in the mere acceptance of one’s own exploitation

Sexual Drive (2021) [IFFR 2021]

An amazing and unconventional narrative that not only explores the eroticism of the oral drive in an enticing and visually pleasing way, but also succeeds to touch, in a lighthearted way, upon the complexity of sexual desire as such.

Farewell song (2019) review

A truly moving narrative that explores, in a very nuanced but detailed way, the difficulty for subjects to meet the Other, the beloved Other, as subject.

Last Letter (2020) review

A satisfying and touching drama that highlights the importance of acknowledging about one’s loss and confronts us with the fact that, for the subject, his/her loss is, first and foremost, a loss of an ideal image.