A pleasant short film that highlights that deception in romance finds its ultimate support in the subject’s desire to be loved.
A heartwarming and lighthearted narrative that shows how women, within the societal device of arranged marriage as well as within the modern device of marriages out of love, can find subjective happiness.
This year, we, once again, explored the wide selection of films screening at the festival to select some films that we, psychocinematography, duly recommend to the audiences.
“A truly enjoyable comical experience.”
Introduction Kota Takeuchi is man of many creative talents, but whatever he does – be it painting, filming, or sculpting – it is related to historical or contemporary topics. He is most renowned as being the representative of the man of the iconic webcam performance Finger Pointing Worker (2011). In his latest short, he explores…
A classic that, as a critique of capitalism and materialism, has not lost any of its relevance.
“A pleasant lighthearted narrative that expresses a (vain?) hope for a more thoughtful form of Japanese politics.”
“A great erotic sci-fi narrative that explores, in an engaging way, the need for a certain amount of sexual desire to make the dynamic of a romantic relation function.”
A touching and heartwarming romance drama that captivates the spectator not only because it’s driven by romantic feelings feel genuine, but also because the truth of love is so charmingly delivered by someone not yet fully subjected to the patriarchal societal fantasy.
“A highly entertaining and cleverly constructed sci-fi film that not only underlines the power of romantic desire, but also reveals how tricky knowing the future can be.”
“Uchiyama delivers a great and finely composed narrative that explores the ephemeral character of relationships that find their sole strength in the imaginary, in the thirst for gaining pleasure.”
“A great narrative that succeeds in exploring the very way that imaginary injuries and resentments erode family bonds, by causing a subjective blindness for the suffering of the other.”
“His dystopian ‘thriller’ does not only masterly highlight, in a chilling way, the various ills that marks contemporary society, but also shows, that within such dystopian world, a subject can always rediscover something to life and fight for.”
A great experiment of the absurd, but its full potential to satisfy the spectator is hindered by its somewhat lackluster composition.
A beautifully composed and highly relevant narrative about destructive kinds of social violence, a social violence against the Otherness present in the community and an ostracizing violence to turn the once-trusted other into an unwanted Otherness.