Plastic (2023) review [Japan Cuts 2023]                

Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an inter-subjective between two ego’s in love. 

Re/Member (2022) review

A pleasant experience that succeeds in offering both the thrills of a horror-slasher as well as a touching exploration of romantic and amical feelings.

Egoist (2022) review [Nippon Connection 2023]

Matsunaga’s heartfelt and heart-breaking narrative goes beyond the gay-dynamic to show that the lack that injures the subject complicates and radically determines the way he approaches the object of his ‘love’.