Bushido (2024) review [Camera Japan Festival]

Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.

Shinobi no Mono: Band of Assassins (1962)

Yamamoto expertly utilizes the game of disguises, traps, gadgets, concealed passages, hidden stairs, and trapdoors, to offer an allegorical tale of the post-war subject’s conundrum

Bad Lands (2023) review

The incredibly well-crafted narrative structure, fuelled by Sakura Ando’s extremely satisfying performance, ensures that the spectator remains engaged from start and finish

Man Who Causes A Storm (1957)

Inoue’s rags-to-riches narrative might not escape the territory of predictability, but he puts enough thematical meat on the table so that the spectator, in full knowlegde of how the narrative will unfold, still comes away fully satisfied.