“Amane does not only blend horror and eroticism fluidly together, but does so to deliver a satisfying critique of how social media eventually becomes a tool for male subjects to chase their phallic fantasy.”
Category: Revenge
Terrifying Girls’ Highschool: Lynch Law Classroom (1973) review
“Suzuki’s narrative offers an excellent critique of the exploitative dimensions of the phallic patriarchal society.”
Crazy Thunder Road (1980) review
“A nihilistic and wild exploration of the self-destructive nature of a relentless search for a dose of pleasure.”
Underdog (2021) review
“Take’s film powerfully shows that the heroism of the art of boxing lies in the very subjective meaning that power the jabs, the hooks, and the uppercuts.”
Rurouni Kenshin: The Final (2021) review
“Ohtomo’s does not only preserve the essence of Watsuki’s narrative but delivers this essence with necessary emotionality and adorns it with many breathtaking sword-fighting moments that neither a manga nor an anime can deliver.”
Parasites In Love (2021) review
“One of the most original romance narratives of the year.”
Daimajin (1966) review
“A wonderful and refreshing blend between the jidai-geki/chanbara and the kaiju genre.”
Irezumi (1966) review
“Masamura delivers a phenomenal narrative, a true post-war classic.”
Yellow Dragon’s Village (2021) review
“A fabulous film and a true B-film sensation.”
Legends of the poisonous seductress: Quick-draw Okatsu (1969) review
“Nakagawa offers everything a spectator and fan has come to except from the genre: exciting action and violent exploitation.”
The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]
“A satisfying sequel that fans of Fable’s first outing should not pass this up.”
Jigoku-no-hanazono ～Office Royale～ (2021) review [Fantasia Film Festival]
“An absurd and crazy cocktail full of violence and funny twists and unexpected turns.”
Follow The Light (2021) review [Fantasia Festival 2021]
The narrative might not offer anything new at a thematical level, but stands out due to his refusal to spell things out and, instead, imply certain subjective truths via elegant and naturalistic poetic moments.
Ohyaku: the Female Demon (1968) [review]
a very enjoyable revenge-narrative that, surprisingly, still holds up well today.
One Missed Call (2003) Review
Miike’s horror-narrative provides all the thrills, and tropes for that matter, fans of J-horror have come to expect from the genre.
psycho-cinematography 