“A worthy attempt to offer something fresh to the horror-table, but Shimizu struggles to blend the many pleasing parts into a whole that truly engages and pleases the spectator.”
Category: Live-action
To Be Killed by a High School Girl (2022) review [OAFF 2022]
“The effective interaction between his fluid composition, the great narrative structure, and the thematical exploration of trauma and perverse fantasies ensures that the film hits all the right notes and more.”
Rurouni Kenshin: The Beginning (2021) review
“Ohtome succeeds in giving Himura’s bloody and tragic coming-into-being its rich and engaging emotional texture.”
Rurouni Kenshin: The Final (2021) review
“Ohtomo’s does not only preserve the essence of Watsuki’s narrative but delivers this essence with necessary emotionality and adorns it with many breathtaking sword-fighting moments that neither a manga nor an anime can deliver.”
Kakegurui 2: Ultimate Russian Roulette (2021) review [Fantasia Festival 2021]
“Hanabusa’s second outing proves to be as enjoyable and thrilling as the first.”
Georama Boy Panorama Girl (2020) review [Fantasia Film Festival]
‘Seta’s poetically composed narrative blows a fresh breeze into the ‘traditional’ Japanese romance genre.’
Hiroku The Goblin (1991) review [Japan Cuts 2021]
‘A classic that offers an unforgettable experience that is as touchingly lighthearted as is it disturbingly horrifying.’
Tokyo Revengers (2021) Review [Fantasia Film Festival]
“An exciting blend of satisfying violence, tensive moments, surges of pleasing lightheartedness, and touching emotional moments.”
Love, Live, and Goldfish (2021) review [Fantasia Film Festival]
“While Makabe’s narrative does not offer anything truly new or groundbreaking, what it does brings to the table is served with excellence.”
One Summer Story (2020) review [Camera Japan 2020]
“A pleasant narrative – full of lighthearted, romantic, and familial moments – that could have been better.”
Kakegurui (2019) review [Fantasia 2020]
“A narrative that will not only please long-time fans of the series, but also convert many newcomers into kakegurui’s enthusiasts.”
Inuyashiki (2018) review
“A more satisfying experience than most western super-hero narratives”.
Tezuka’s Barbara (2019) review [CinemAsia Film Festival]
“A moody narrative that beautifully reveals that addictive love, in the end, serves nothing but the egoistic needs of the addicted subject.”
Flowers of Evil (2019) Review
“(The narrative) unearths the struggle that the blossoming of one’s polymorph perverse sexuality can have on one’s process of coming-into-being in a beautiful way.”
Fly Me To The Saitama (2019) Review
“We duly recommend this high-school boys-love romance adventure to any Japanese cinema lover.”
psycho-cinematography 