“The visual as aesthetic is as important for Tezka’s subjectivity as it was for his father’s subjectivity.”
“I think making comedy is facing humanity, how can I explain this…”
“It is bad to do things on impulse.”
“This movie is a movie that shows theater as it is! The terrace is the only scene that will appear! What is that? Is it unacceptable? But if you watch it, it will be interesting!” Introduction Our next guest for Talks with directors is Kenji Yamauchi, director of Being Mitsuko (2011), her father my lover (2015) and, of course, At…
“By making this movie, I felt like I could meet my deceased friend again somewhere”.
“What I wanted my father to do then and, now that I have become a father myself, what I want to do if my child has problems is included in the movie.” Introduction With Journey of the Tortoise receiving a glaring review on this blog, we were very interested to sit down and have a…
In celebration of Noise winning first place at psycho-cinematography’s top 10 Japanese movies of 2017, we also sat down with Matsumoto Yusaku (松本優作) to talk about his first full-length feature, the process of creating his debut narrative, his past and his future.
Introduction With Journey of the Tortoise receiving a glaring review on this blog, we were very interested to sit down and have a chat with Tadashi Nagayama about his past, his present and his future. With short and to the point answers, Nagayama provides an interesting insight in his mind and his subject.