Shinobi no Mono 2: Revenge (1963) review

Satsuo Yamamoto reveals the frailty and replaceability of the capitalistic father in an engaging way.

A Story Written With Water (1965) review

An exquisitely layered psychological drama that unveils how a subject’s fixation on a phantasmatic image disrupts his ability to commit himself romantically to the female other

Do Unto Others (2023) review

While many spectators will shed tears at the emotional unfolding, our tears lament Maeda’s choice to go full melodrama.

Motherhood (2022)

An enjoyable and engaging exploration of the destructive impact of a subject’s fixation on gaining the (m)Other’s love and that the often-ignored truth that becoming a mother is not that self-evident.

Conflagration (1958) review

A narrative that serenely depicts the possible outcome of a subject’s failure to find, in a post-war landscape, someone to carry the Name-Of-The-Father.

Wandering (2022) review

With his poetic sensitivity, Sang-il Lee delivers a rich tapestry of genuine emotionality and a powerful affirmation of the fact that the affirmation of the subject lies beyond the field of understanding.

The Island Closest To Heaven (1984) review

“This might be the purest idol-film Obayashi made and the clearest example of how Kadokawa wanted to exploit the audio-visual medium.”