“A touching and satisfying tear-jerking experience.”
“A visually exciting experience that shows that the only revolutionary thing that can give life its worth is desire that remains desire.”
“This might be the purest idol-film Obayashi made and the clearest example of how Kadokawa wanted to exploit the audio-visual medium.”
A serene narrative that touchingly explores the possibility of reaching each other as subject despite the misrecognition that structures speech.
“Seta’s first narrative hits some false notes, but these cannot derail Seta’s first-feature film nor radically complicate the spectator’s pleasure.”
“Kazuya Shiraishi delivers, with his sequel, another amazing and highly entertaining yakuza/police thriller.”
A classic that, as a critique of capitalism and materialism, has not lost any of its relevance.
A beautifully composed and highly relevant narrative about destructive kinds of social violence, a social violence against the Otherness present in the community and an ostracizing violence to turn the once-trusted other into an unwanted Otherness.
“A great narrative, due to its emotionally gripping finale and the crystal-clear manner by which Sabu explores and uncovers the impact of a vicious environment on the way the subject inscribes itself into the social fabric.”
“A (damning) look at the vicious and unforgiven nature of the judgmental Other as well as heartwarming emotionally rich exploration of the importance of supportive inter-subjective social bonds for the subject.”
“An artfully composed erotic narrative that plays with the well-known psychoanalytic fact that the relational past of subjects impacts the possibility and appearance of sexual attraction between a man and a woman.”
While ‘Family of Strangers’ runs the risk of corroborating prejudices, Hirayama’s narrative also has the potential to make spectators think about the socially embedded nature of mental suffering,