Tokyo Vampire Hotel (2017) review

“Sion Sono’s poetry questions enjoyment and its function within contemporary Japanese society with ultra-violent precision. This is, in other words, Sion Sono at its finest.”


With Tokyo Vampire Hotel, Sion Sono finally found his chance to turn his childhood fascination, which started when he watched the 1958 cult classic Dracula starring Christopher Lee as a child – into a cinematographical product (General-note 1).

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