A Girl On The Shore (2021) review

“Ueda’s engaging film is all about two subjects trying to escape their phantasmatic identification with the notion of trash.”

Spaghetti Code Love (2021) review [Japan Cuts 2021]

“Maruyama’s narrative speaks powerfully to the spectator’s subjectivity – his fears and hopes – and enables his evocation of a glimmer of hope that remains present in this dark depressive modern relational mess to positively impact his audience.”