Burn (2026) review [Japannual 2026]

Makoto Nagahisa leverages the evocative power of visuals and sounds to plunge the spectator into a subjective experience of subjects who only appear as silenced within the media, with the expulsed human ‘trash’ produced by the contemporary societal Other.

Unchained (2026) review [Camera Japan Festival 2026]

With his latest narrative, Keisuke Yoshida (Blue (2021)) turns a cinematic glance at juvenile delinquency. Yet, what urged him to tackle this societal symptom was not simply an interest, but the need to question the societal environment he grew up in and offer this result of elaboration to the audience.   While Keisuke Yoshida saw…

Blazing Fists (2025) review

Miike delivers a drama of hope, a narrative that shows, in a satisfying manner, that a subject can materialize himelf within in the ring and by punching and kicking the demeaning discourses concerning criminality within the Japanese Other into shreds.  

Village (2023) review

An incredibly powerful drama narrative that illustrates how toxic and destructive a societal environment can be for the subject – the persecutory dimension of the Other – and how reparative ‘inter-subjective’ signifiers can be.