A competent sequel that will please audiences and invites spectators to explore Sato’s classic.
Tag: Tsuyoshi Kusanagi
Bushido (2024) review [Camera Japan Festival]
Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.
The Killing Game (1978) review
Murakawa delivers a satisfying sequel.
Stormy Family (2019) review [Nippon Connection 2021]
“A great narrative that succeeds in exploring the very way that imaginary injuries and resentments erode family bonds, by causing a subjective blindness for the suffering of the other.”
Makuko (2019) review [Nippon connection online]
“A pleasing exploration of the fear of becoming an sexually desiring adult.”
psychocinema 