Birds Without Names (2017) review

“Shiraishi is not only able to confront the spectator with the perverse side-effects of a patriarchal phallic societal Other – i.e. male opportunism, but also reveals, in an extremely moving finale, that even within such problematic Other love remains a possibility.”

Wandering (2022) review

With his poetic sensitivity, Sang-il Lee delivers a rich tapestry of genuine emotionality and a powerful affirmation of the fact that the affirmation of the subject lies beyond the field of understanding.

The Journalist (2020) review

A highly relevant narrative that succeeds in underlining the importance of fighting against a-moral system of media manipulation.