“Yureru proves to be a very intimate emotive meditation on the mendacity of identity and the subjectivity in experiencing reality. It is a sublime meditation we recommend to everyone.”
In 2006 Miwa Nishikawa released her second feature film Yureru.As her first feature film, Wild Berries (2003), for which Kore-eda was the producer, garnished many awards, like the Best New Director award at the 2004 Yokohama Film Festival and the 13th Japanese Professional Movie Awards, expectations were very high. With Yureru (2006), which won 4 awards at the Yokohama Film Festival, and Dear Doctor (2009),Nishikawa confirmed her status as a big talent in the industry.
“Kurosawa’s masterful formal approach to cinematography shows vividly that creepiness lurks at the surface of society (…) Creepy is a masterpience and trulylives up to its name. And yes, you will think twice about getting cozy with your neighbours”.
In 1997, 14 years after he started directing feature films, Kiyoshi Kurosawa appeared with a bang on the international scene with Cure (1997), a subtle and creepy serial killer narrative, while regaining his place – a place he lost in the eighties under influence of Nikattsu – in Japan as well. He confirmed his position with Pulse (2001), considered by some as his most successfully realized horror narrative to date.