Teruo Ishii is unable to deliver what made the first film so enjoyable: the visual celebration of Ocho Inoshika’s phallic fury.
Tag: Teruo Ishii
Ohyaku: the Female Demon (1968) [review]
a very enjoyable revenge-narrative that, surprisingly, still holds up well today.
Blind Woman’s Curse (1970) review
“Pleasure (…) is to be extracted from the visuals (…) so beautifully framed by the cinematography, and from the way Meiko Kaji with her mesmerizing performance synthesizes the narrative’s mix of genres.”