Miike’s narrative delivers everything a fan of the previous narratives desires and even succeeds in inviting newcomers to delve into Reiji’s past exploits.
Tag: Takashi Miike
Talks with writers: Norman England (Behind the Kaiju Curtain, 2021)
“A enlightening chat with Norman England, the author of “Behind The Kaiju Curtain” (2021)”
The Great Yokai War – Guardians (2021) review [Japan Cuts 2021]
“A pleasant and truly satisfying ride for the whole family.”
Top 10 Japanese films of the decade. [2010-2019]
Find out which films we selected for our top ten Japanese films of the last decade (and also discover Onderhond’s second opinion).
One Missed Call (2003) Review
Miike’s horror-narrative provides all the thrills, and tropes for that matter, fans of J-horror have come to expect from the genre.
Talks with film-critics: Mark Schilling.
“We decided to sit down with him and interview him about the current state of the Japanese industry, how he became a film-critic, his style of reviewing and more.”
Like A Dragon (2007) review
“A clear case of a film translation gone wrong. People are, in fact, far better off playing the game.”
Dance With Me (2019) Review [Fantasia Film fest]
“One of the most pleasing musical experiences of recent years and one fine encouragement to people to find and do what they love.3
Top 10 Japanese movies 2017
In short, Japanese cinema provided something for everyone – and through many of these cinematographical products a window on contemporary Japanese society was offered. Of course not all movies made this year are a must-see. So with our top 10, we aim to give a personal advice on which movies one should see.
Blade of the Immortal (2017) Review
“As limbs get scattered and blood flows, one comes to realize that there might be only one Japanese director who can compose these massacres with such stylish precision.”
Dark Side of The Light (2016) Review
“The very tangible framing of (…) [the] disturbing irrationality [of abuse] and the denial of justice this irrationality introduces is Sakamaki’s greatest triumph.”
Shield of Straw (2013) review
“Miike might have saved ‘Ware No Tate’ from a complete disaster, his visual talent cannot hide the fundamental flaw of the narrative.”
psycho-cinematography 