Shinobi no Mono 2: Revenge (1963) review

Satsuo Yamamoto reveals the frailty and replaceability of the capitalistic father in an engaging way.

Akitsu Springs (1962) review

With his artful composing hand, Yoshishige Yoshida paints how a romance unable to transform into an inter-subjective relation of love can impact the subjectivity and illustrate, in a subtle but sensible way, the Freudian truth that every Eros is, in the end, a death drive.