Takashi Miike delivers a cinematographic gift, a surreal masterpiece that stays with the spectator long after the credits have faded.
Tag: Shohei Hino
Gonza the Spearman (1986) review
“A fabulous narrative that offers a satisfying exploration of the tragedy of phallic ambition and the destructive potential of desire.”
Fukushima 50 (2020) review [Japan Cuts 2020]
“An effective warning against further relying on nuclear energy alone to power the country.”