One Percenter (2023) review

Yamaguchi delivers a love-letter to down-to-earth action that proves that there is plenty of poetry to be found in the physical action-performances.

Alivehoon (2022) review [Camera Japan Festival]

Shimoyama hits all the common beats of the sports-genre, but succeeds in elevating his exploration of the art of drifting by framing the battling cars in an exciting and mesmerizing way.