Gozu (2003) review/analysis [Fantasia 2026]

Takashi Miike delivers a cinematographic gift, a surreal masterpiece that stays with the spectator long after the credits have faded.

Pulse (2001) review

“An extra-ordinary apocalyptic horror narrative that explores, in a refined way, the destructive impact of consumption – the pulsating attraction of injecting solitary enjoyment by engaging with gadgets and screens – on our subjective position and the fabric of bonds that surrounds us.”