Akiku Ohku might not only have delivered her best narrative yet, but one of the best comedy narratives of this year.
Tag: Sarutoki Minagawa
The Mole Song: Final (2021) review [Fantasia Film Festival]
Miike’s narrative delivers everything a fan of the previous narratives desires and even succeeds in inviting newcomers to delve into Reiji’s past exploits.
Mother (2020) review
In a languid but highly transparent way, Ohmori confronts the spectator with the subjective and interpersonal ravage the insatiable desire for love and the need for a proof of the other’s love eventually causes.
Fukushima 50 (2020) review [Japan Cuts 2020]
“An effective warning against further relying on nuclear energy alone to power the country.”
psycho-cinematography 