Wolves, Pigs and Men (1964)

Fukasaku and Junya Sato’s decision to go beyond Nikkatsu’s Borderless Action and Toei’s nostalgic Ninkyo fantasies to critique the capitalistic current within the post-war societal field and its perverting effects on interpersonal bonds gave birth to a shockingly beautiful experience that is as relevant today as it was in the sixties.

Lady Snowblood: blizzard of the netherrealm (1973) review

“Empowered by the mesmerizing performance of Meiko Kaji, Fujita artfully translated Koike’s true purpose to the screen: the creation of a strong, beautiful demonic woman which turns cutting down people, with her beautiful sword, into an art.”