A painful but beautiful narrative about the difficulty to instigate subjective change and the impact such struggle has on relations.
A confronting narrative that underlines the necessity for male subjects to lay down their eroticizing gaze and meet a woman as a subject, as someone who is driven by unconscious desires and own demands as well as marked by her own failure of understanding herself.
A narrative that succeeds in sensibly highlighting the often forgotten importance of the funeral as symbolic event and the possibility to appreciate the human being beyond his failure as symbolic father.
“(The narrative) breaths much needed fresh air into the rather stale genre of Japanese romance narrative”
“When shooting in Tokyo, Uchida and his crew once bet on how long it would take for the yakuza to show up: one minute after they started shooting.” Introduction Yesterday, we had the chance to meet Eiji Uchida, the director of Greatful Dead (2013), Lowlife Love (2015), and Love and Other Cults (2017) at the Belgian…
“[The] subtle blend of (…) emotional layers, (…) evoke[s] the difficulties a subject can have in finding a place to call home, implicitly implying that a sense of belonging is only to be found in a place conditioned by one or more meaningful human relations as such.”