Street Kingdom (2026) review [Camera Japan Festival 2026]

“Punk cinema for those who never knew they needed the spirit that fuelled it.”

Awake (2020) review

Atsuhiro Yamada ensures, by delivering an effective visual and musical frame, that his poignant psychological portrait result into a thrilling finale and, ultimately, a heartwarming conclusion.

Call Me Chihiro (2023) review

What makes Imaizumi’s narrative a pleasant and such an emotional watch is the fine balance he found between waves of light-heartedness and the forlorn aftertaste that remains after bonds unravel.

Good-bye Silence (2018) review

“While Ugana understands the power of cinematography and brings interesting ideas on the table, he has not yet found the way to bring his vision in a way that touches the spectator.”