The way Araki resolves the narrative’s thematical questions concerning vengeance and the working-through of trauma will divide spectators
Tag: Rio Yamashita
Motherhood (2022)
An enjoyable and engaging exploration of the destructive impact of a subject’s fixation on gaining the (m)Other’s love and that the often-ignored truth that becoming a mother is not that self-evident.
Ribbon (2022) review
Non, in short, proves with her first feature film that she has a future as screenwriter and director.
Asako I & II (2018) review
“(The narrative) breaths much needed fresh air into the rather stale genre of Japanese romance narrative”
psychocinema 