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Japanese cinema looked at awry

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Tag: Nijirô Murakami

Chiwawa (2019) review [Fantasia International Film Festival]

“Ken Ninomiya reconfirms his extra-ordinary talent, proving he is truly one of a kind.”

Destruction Babies (2016) review

“A wonderful but slightly disturbing confrontation with violent enjoyment.”

Still the water (2つ目の窓/the second window) (2014) (Review)

“Given the masterly precision and thoughtfulness that went into framing each shot and into framing the formative story of Kaito and Kyoko, it’s all the more sad to see the narrative lack any real emotional repercussions for the viewer.”

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