Burn (2026) review [Japannual 2026]

Makoto Nagahisa leverages the evocative power of visuals and sounds to plunge the spectator into a subjective experience of subjects who only appear as silenced within the media, with the expulsed human ‘trash’ produced by the contemporary societal Other.

Last Letter (2020) review

A satisfying and touching drama that highlights the importance of acknowledging about one’s loss and confronts us with the fact that, for the subject, his/her loss is, first and foremost, a loss of an ideal image.