Love Doesn’t Matter to Me (2025) review

Aya Igashi corroborates with her latest film that she fully grasps the difficulty for the subject to find within the Other a symbolic place for himself

Kisaragi Station Re: (2025) review

This fun horror-thriller invites the spectator to consider the dynamic between the lurking presence and the visitors it constantly eyes as staging the uncomfortable truth of our contemporary societal field. 

Kisaragi Station (2022) review

Thanks to a good narrative structure and pleasant performance this low-budget horror film succeeds in engaging and satisfying the spectator.