“Masayuki’s celebration of cinematic history deeply satisfies the spectator’s desire to see cinema as an experience that can touch our being and the art of the benshi triumph.”
Tag: Masatoshi Nagase
Bolt (2020) review [Nippon Connection 2021]
“A great narrative by Kaizo Hayashi that explores, via the structure fiction, the truth of three different affects – responsibility, guilt, and sadness through loss – during and in the aftermath of the Fukushima disaster.”
Hotel Iris (2021) review [Osaka Asian Film Festival]
“An artfully composed erotic narrative that plays with the well-known psychoanalytic fact that the relational past of subjects impacts the possibility and appearance of sexual attraction between a man and a woman.”
Malu (2020) review [33th Tokyo International Film Festival]
With ‘Malu’, Edmund Yeo proves that he is a master visual poet of the mundane and of the ‘cruel’.
Love’s Twisting Path (2019) Review
“Nakajima’s movie delivers everything that one expects from an jidai-geki narrative.”
Red Snow (2019) review [Camera Japan Festival 2019]
“Those (spectators) that give the narrative a chance will become captivated by its moving evocation of the tension between speech and truth.”
We Are Little Zombies (2019) Review
“Nagahisa has earned himself the honour to be considered as one of the most promising directors of Japan today.”
