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Japanese cinema looked at awry

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Tag: Masao Yoshii

She is Me, I Am her (2022) review [Japan Society – Female Gaze]

Nakamura elegantly unpacks how the corona situation disturbs the field of desire as well how important the presence of bodies is within the societal field driven by desire.

The Fable: The Killer who Doesn’t Kill (2021) review [Camera Japan Festival]

“A satisfying sequel that fans of Fable’s first outing should not pass this up.”   

Red Snow (2019) review [Camera Japan Festival 2019]

“Those (spectators) that give the narrative a chance will become captivated by its moving evocation of the tension between speech and truth.”

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