What invites us to qualify Suzuki’s narrative as a classic is not simply his continuation of Yamashita’s visual adoration of Junko Fuji, but his effective transformation of the Ninkyo thread into an exploration of the transgressive nature of desire as such.
Tag: Kunio Murai
Ohyaku: the Female Demon (1968) [review]
a very enjoyable revenge-narrative that, surprisingly, still holds up well today.
Kasane (2018) review
“A truly pleasing ride that sensibly explores the narcissistic dynamic of the image/ego between the subject and the Other/other.”
Tokyo Ghoul S (2019) Review
“The narrative’s beginning and finale do not fail to deliver the right ingredients to turn this narrative into a satisfying visual experience.”
Tokyo Ghoul (2017) review
“Notwithstanding this flaw, Tokyo Ghoul still remains one of the better high-budget live-action adaptations to appear in recent years. It even serves as a perfect introduction for newcomers to Ishida’s world of ghouls.”