Rewrite (2025) review [Fantasia Film Festival]

Daiga Matsui’s narrative ultimately develops into something that expands beyond mere romance, a surprising and highly satisfying time-loop drama.

Lonely Glory (2023) review

Sakon succeeds in infusing his narrative about selfish benevolence with a rough emotional naturalness that engages and affects the spectator.   

Life: untitled (2020) review

A confronting narrative that underlines the necessity for male subjects to lay down their eroticizing gaze and meet a woman as a subject, as someone who is driven by unconscious desires and own demands as well as marked by her own failure of understanding herself.