Akiko Ohku steers away from delivering a clear-cut romantic fantasy to confront the spectator with the messy consequences of utilizing signifiers in the game of love in a very moving way.
Psychoanalysis, Japanese cinema, and psychotherapy
Akiko Ohku steers away from delivering a clear-cut romantic fantasy to confront the spectator with the messy consequences of utilizing signifiers in the game of love in a very moving way.