Graveyard of Honour (2002) review


“[A fabulous confrontation] with the inherent dimension of the self-destructive pleasure, evoking the effects capitalism have on society as a whole along the way.”


Takashi Miike is a director that doesn’t need any introduction. Bursting on the international stage with Audition (1999), his human drama gone wrong, he also delighted or affronted audiences with Ichi the killer (2001) and visitor Q (2001). Violence has always had an important presence in Miike’s oeuvre – consisting now of more than 100 movies – and Graveyard of honour is no different.

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