Unchained (2026) review [Camera Japan Festival 2026]

With his latest narrative, Keisuke Yoshida (Blue (2021)) turns a cinematic glance at juvenile delinquency. Yet, what urged him to tackle this societal symptom was not simply an interest, but the need to question the societal environment he grew up in and offer this result of elaboration to the audience.   While Keisuke Yoshida saw…

Blue (2021) review

“A very emotional journey about the difficulties of dealing with loss and lack.”