Museum (2016) review [Screening at Fantasia Film Festival].


“And while a deeper exploration of Haruka and Shouta’s subjective perspective could have made Sawamura’s quest for redemption even more powerful, Museum does provide the tension, the thrills and the plot twists any great thriller narrative should have.”


If one looks at Keishi Ootomo oeuvre, one concludes that he loves to adapt manga narratives to the silver screen. He already brought the wildly popular manga Rurouni Kenshin to the silver screen – Rurouni Kenshin (2012), Rurouni Kenshin: Kyoto Inferno (2014), and Rurouni Kenshin: The Legend Ends (2014), and has just finished his filmic translation of the manga San gatsu no Lion following the story of a young shogi-player.

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