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Japanese cinema looked at awry

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Tag: Haruka Shimazaki

Nagi’s Island (2022) review [Camera Japan Festival]

The power of Nagasawa’s narrative does not simply lie in the engaging emotional rhythm, as dictated by the musical decorations, but in the genuineness that oozes from every interaction.

The Fish Tale (2022) review [Fantasia Film Festival]

A very heart-warming and touching narrative that shows that a subject does not necessarily need to make use of the neurotic solution to inscribe himself within the societal fabric.

Fly Me To The Saitama (2019) Review

“We duly recommend this high-school boys-love romance adventure to any Japanese cinema lover.”

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