The Executioner II: Karate Inferno (1974) review

Toei delivered a cheap imitation of a western espionage-narrative with a severe lack of martial arts.

Blind Woman’s Curse (1970) review

“Pleasure (…) is to be extracted from the visuals (…) so beautifully framed by the cinematography, and from the way Meiko Kaji with her mesmerizing performance synthesizes the narrative’s mix of genres.”